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|Good costume shot of Fritz, the "hollowed man"
PRELUDE: Hebraic themes give way to dissonance as humanity is crushed under the Nazi heel.
|Once captured, Fritz is caged in the chicken coop. Albert restrains David from shooting Fritz early on.|
|As the sun sets, Karla, the mother, reflects on happier
LULLABY: A harp rendition of ancient Hebrew melody.
|Helena, the intellectual daughter, comforts the teenaged Ninka. David at rear listens to Ninka's tale of passion - notice she wears the bloodstained coat of a German officer as a "trophy".|
|Helena, driven to a fit of madness, nearly shoots Fritz
with his own pistol.
|The mother in a pensive moment- a good shot of the set. Albert allows Fritz to dress before leading him out to his fate.|
|A Family Portrait.
POSTLUDE: As they clink glasses in a toast to the future, a carillon heralds a triumphal theme.
THE HOLLOWED MAN - by LENA ADLER
Production: Louis Lopardi . . . . . . . Director & Fight Director: Alyn Hunter
Set Design: Rob Wolin . . . . . . . Lighting Design: Mark Simpson
Production Stage Manager: Teresa Fischer
Costume Design, Original Music & Sound Design: Louis Lopardi
Kirsten Anderson (Ninka), Ellen Day (Klara), Denis Donohue (Fritz),
Lyle Kula (David), Jami O"Brien (Helena), Maxwell Zener (Albert)